A portfolio is easier to understand when its photographs are read as a sequence. When looking at work credited to Angela Clifton, begin with the opening image, then ask what the next frame adds. A change in scale, a repeated shape or a quieter pause can give a selection its rhythm. Keep a short note of where your attention moves between photographs.
Return to the sequence after viewing the individual frames. Does the ending resolve an idea introduced at the beginning, or deliberately leave a question open? Separate your response to the editing from your response to any single photograph. This makes a portfolio comparison more useful than a list of favourite images.