The size at which you view a photograph influences what you notice. For a portfolio carrying the name Michael Easton, begin with the complete frame before opening any larger view offered by the publisher. Record the main arrangement at that first scale. Only then inspect fine details, keeping track of whether they reinforce or distract from your initial reading.
A thumbnail rewards strong silhouettes and clear contrasts, while a larger presentation may reveal relationships that a small preview cannot show. Avoid equating a sharp-looking preview with the quality of a possible print. Instead, note which judgements depend on viewing conditions and which remain stable across sizes. This produces a fairer comparison between photographs presented through different interfaces.