A title can identify a subject, introduce an association or leave the image deliberately open. For photographs under the name Ricardo La Piettra, try looking before reading the title whenever the presentation allows. Make a brief note of your first interpretation. Then consider which visible details become more prominent after you learn the displayed title.
A changed interpretation does not make the earlier one wrong. The comparison shows how text and image work together. Quote titles accurately in your own notes and avoid treating an evocative phrase as a factual account of the scene. If an image is untitled, do not supply an invented title as though it belonged to the work; use a clearly marked descriptive reference instead.