A compact edit can communicate more clearly than a large collection. When assessing a portfolio under the name Ryan Notch, look for pairs of photographs that perform the same role. Similar subjects are not necessarily redundant: a second frame may introduce a different relationship, gesture or visual question. Ask what each image contributes to the group rather than judging variety by subject alone.
For your own study, make an imaginary six-image edit using only the pictures you have viewed. Explain why each belongs, then compare your selection with the order presented. The aim is to understand the consequences of inclusion and omission. Do not treat this exercise as permission to download, republish or rearrange somebody else's photographs publicly.