The distance between subjects can be as expressive as the subjects themselves. When reading photographs credited to John Running, consider which forms touch, overlap or remain separate. A narrow gap may create tension; a broad interval may allow two elements to be read independently. Describe the arrangement before drawing conclusions about a relationship outside the picture.
Trace an imaginary line between the main points of attention. Does that line stay within the frame or lead your eye beyond an edge? Compare the effect in another image from the same displayed group. This method helps you study composition without relying on assumptions about the people, events or places shown. It also encourages a slower reading of details that a quick thumbnail scan can miss.