The sharpest part of a photograph is not always the part you notice first. When studying a portfolio credited to Jessica Verma, identify the apparent plane of focus, then compare it with the brightest area, strongest colour or most recognisable shape. These cues may work together or direct attention in different ways. Describe their relationship before calling an image successful or unsuccessful.
Look at the entire frame as well as any larger view provided. Softness may separate layers, leave information uncertain or simply result from the presentation you are seeing. Avoid diagnosing a technical error from a small reproduction. A useful reading explains where attention goes and how it returns, while reserving judgement about production choices that the displayed photograph cannot establish.