When a portfolio contains several projects, comparison is most useful after each group has been considered on its own. For work under the name Jessica Verma, note the visible organising principle of one group before moving to another. It might be a recurring subject, a particular arrangement of forms or a consistent relationship between images and captions.
Then compare the groups using the same question. Does a compositional relationship recur, or does the second project call for a different way of looking? A difference need not be an inconsistency; it may reflect the demands of the material. Keep your conclusion limited to the selections you have examined and avoid turning a small comparison into a fixed description of the photographer's entire practice.